Carlos, de la lizta, dijo:
No soy muy amigo de las recopilaciones, y menos aún cuando se trata de bandas sonoras, pero ésta me ha llamado la atención: Una selección de temas que han definido el Festival de Cannes desde la II Guerra Mundial hasta nuestros dias. No solo la selección es impecable, sino que además ofrece temas prácticamente imposibles de encontrar de otra forma. Aquí tenéis el listado completo. Yo lo he encontrado en Fnac.
- "Aquarium", Czecho-Slovak Radio Symphony Orchestra (Carnival of the Animals)
- "Kagemusha", Schinichirô Ikebe (The Shadow Warrior, Akira Kurosawa, 1980
- "Finale", Nino Rota (La Dolce Vita, 1960)
- "Taxi Driver", Bernard Herrmann (Taxi Driver, 1976)
- "Wild at Heart", Angelo Badalamenti (Sailor & Lula, 1990)
- "Endless Flight", Gustavo Santaolalla (Babel, 2006)
- "Cvalda", Björk (Dancer in the Dark, 2000)
- "The Delta", Carmine Coppola (Apocalypse now, 1979)
- "Oskar's Trommel", Maurice Jarre (The tin Drum / Le Tambour, 1979)
- "Kalashnikov", Goran Bregovic (Underground, 1995)
- "The Harry Lime Theme", Anton Karras (The Third Man, 1949)
- "La Vita è Bella", Nicola Piovanni (La vie est belle / Life is Beautiful, 1997)
- "Mon Oncle", Franck Barcellini (Mon Oncle / My Uncle, 1958)
- "A Felicidade", Antonio Carlos Jobim (Orfeu Negro, 1959)
- "Curiosity", Herbie Hancock (Blow up, 1966)
- "Cinema Paradiso", Ennio Moricone (Cinema Paradiso, 1988)
- "The heart asks pleasure first", Michael Nyman (The Piano / La leçon de Piano, 1993)
- "Les parapluies de Cherbourg", Michel Legrand (Les parapluies de Cherbourg / The Umbrellas of Cherbourg, 1964)
- "Suicide is Painless", The Mash (M*A*S*H, 1970)
- "O Adonis", Mikis Theodorakis (Z, 1969)
- "Un Homme et une Femme (instrumental)", Pierre Barouh / Francis Lai (Un Homme et une Femme / A Man and a Woman, 1966)
- "Main theme", Vangelis (Missing, 1980)
- "Mort de Messaoud", Khaled/ Armand Amar (Indigènes / Days of Glory, 2006)
- "La Cathédrale des Livres", Jürgen Knieper (Les ailes du désir / Wings of Desire, 1987)
- "Aquarium", Czecho-Slovak Radio Symphony Orchestra (Carnival of the Animals)
- "Wehe Khorazin", Popol Vuh (Fitzcarraldo, 1982)
- "Fish Beach", Michael Nyman (Drowning by Numbers / Triple assassinat dans le Suffolk, 1988)
- "Microcosmos", Bruno Coulais (Microcosmos, 1996)
- "Miracolo a Milano", Nicola Samale (Miracle à Milan / Miracle in Milan, 1951)
- "The interview", Judy Garland (Ziegfeld Follies, 1947)
- "Exils", Tony Gatlif / D. Mantoulet – Horacio Silva Pisa (Exils, 2004)
- "Viva Zapata", Alex North (Viva Zapata!, 1952)
- "Main theme", J. Williams and The City of Prague Philarmonic Orchestra & Crouch End Festival Chorus directed by Mario Klemens (The Sugarland Express, 1974)
- "Friendly Persuasion", Dimitry Tiomkin (Friendly Persuasion / La loi du seigneur, 1957)
- "By the Sea", Grégoire Hetzel (L'Eternité et un jour / Eternity and a Day, 1998)
- "La Stanza del Figlio", Nicola Piovani (La Chambre du fils / The son's room, 2001)
- "Yumeji's Theme", Shigeru Umebayashi (In The Mood For Love, 2001)
- "Finale", Miklos Rozsa (The Lost Weekend, 1946)
- "The Sweet Hereafter", Sarah Polley (The Sweet Hereafter / Des beaux lendemains, 1997)
- "Gabriel's Oboe", Ennio Morricone (The Mission, 1986)
- "Générique", Alain Goraguer (The Fantastic Planet / La Planete sauvage, 1973)
- "Main Theme", John Barry (The Knack… And How To Get It / The Knack… et comment l'avoir, 1965)
- "La vérité ou la mort", Alexandre Desplat – Traffic Quintet (Un Héros très discret / A Self-Made Hero, 1996)
- "La Classe Operaia va in Paradiso", Ennio Morricone (The Working Class Goes to Heaven / La Classe ouvrière va au Paradis, 1972)
- "Le Messager", Michel Legrand & Catherine Michel (The Go between / Le Messager, 1971)
- "Trois Petites Notes de Musique", G. Delerue – Traffic Quintet (The Long Absence / Une aussi longue absence, 1961)
- "Love theme", Angelo Badalamenti (Mulholland Drive, 2001)
- "Hope"Andrzej Korzynski (Man of iron, L'Homme de Fer, 1981)
No hay comentarios:
Publicar un comentario